Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Pompeo Batoni
Portrait of Cardinal Jean Francois Joseph de Rochechouart

ID: 78856

Pompeo Batoni Portrait of Cardinal Jean Francois Joseph de Rochechouart
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Pompeo Batoni Portrait of Cardinal Jean Francois Joseph de Rochechouart


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Pompeo Batoni

Italian 1708-1787 Pompeo Batoni Location Italian painter and draughtsman. In his day he was the most celebrated painter in Rome and one of the most famous in Europe. For nearly half a century he recorded the visits to Rome of international travellers on the GRAND TOUR in portraits that remain among the most memorable artistic accomplishments of the period. He was equally gifted as a history painter, and his religious and mythological paintings were sought after by the greatest princes of Europe.  Related Paintings of Pompeo Batoni :. | Portrait of Sir Wyndham Knatchbull-Wyndham, 6th Bt | Ritratto del Principe Abbondio Rezzonico | Diana and Cupid | Charles Compton, North Khan Compton VII command | Triumph of Venice |
Related Artists:
Giorgio Vasari
1511-74 Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.
BLEKER, Gerrit Claesz
Dutch painter (active 1625-1656 in Haarlem)
James Abbott Mcneill Whistler
American Tonalist Painter and Printmaker, 1834-1903, He was an American-born, British-based artist. Averse to sentimentality and moral allusion in painting, he was a leading proponent of the credo "art for art's sake". His famous signature for his paintings was in the shape of a stylized butterfly possessing a long stinger for a tail.






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